If you love words as much as Judith Seligson does, you'll respond to her text-infused, swirling, cerebral digital prints. If you like your art with some retinal impact (forget the cultural references), you'll go for her geometric, color-saturated paintings llike Channeling Paul Rand, 2004 (left). Jane Haslem Gallery gives us both this month with "Arousing the Mind," a show of Seligson dual (and dueling?) sensibiilities- black-and-white as well as color, mathematical precision and intuitive gesture, secular quotes and the Talmud. What binds it all? The drama of juxtapositions, the grace of random connections. JLC